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And in songs like вЂњCвЂ™mon CollapseвЂќ, one of his best songs ever, it makes me wish Nirvana never happened and this music ran rampant across the airwaves.Download Code128Wide font free for Windows and Mac.

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Still, Shifting Skin showed Ken Andrews into his post-Failure musical career and paved the paths he would take for the years to come.

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Unfortunately, their placement on the album makes them forgettable in a full run-through of the album.

Taken out of context, songs like вЂњBuildingвЂ¦вЂќ and вЂњPerfect ImposterвЂ™ have incredible atmosphere and are actually some of the best written songs on the album. With no noticeable change in sound, things are bound to get boring. Andrews soaked his compositions in electronica and for a while, it sounds interesting and fun. The predictability of his song structures lead into a major flaw, lack of variety. From there, he most likely built all of the electronic melody on top. Sometimes, he makes a drum groove the backbone of the song, but still, the guitar lays down the chord progression. He based most of his melodic material of off guitar riffs, as those riffs generally begin each song. The form of each song makes it obvious as to how Andrews wrote his songs. Although hit or miss, the lyrical content on Shifting Skin is consistently better than AndrewsвЂ™ other works save Fantastic Planet, where he explored the ranges of heroin addiction with brilliance. The childishly written вЂњFeel at HomeвЂќ begins with the plain, hopeful lyrics вЂњEveryone is gonna like her, everyone is gonna make her feel alrightвЂќ, but with the light piano and airy feel of the song, the style only enhances the songвЂ™s atmosphere. While his lyrics sometimes sound cheesy and overdone (вЂњIвЂ™m gonna slingshot around your star, youвЂ™ll stretch my gravity too farвЂќ) he sings everything with confidence. His vocals are the most memorable, powerful, and enjoyable of any of his releases, proving that when given the opportunity, he can make up for what has always been a fatal flaw. Shifting Skin signifies another major change in AndrewsвЂ™ music - a more vocal-centric tendency. вЂњCвЂ™mon CollapseвЂќ provides an explosive summary of Shifting Skin, written brilliantly and immediately hooks the listener in for a great ride into the bulk of the album. Finally, it all makes sense when Andrews sings вЂњCвЂ™mon collapse now, itвЂ™s the time when everything comes outвЂќ and the music simply explodes and the guitar goes away almost completely. Then the drums and synth bass line enter and suddenly, everything starts brewing quickly and the guitar becomes background noise. As вЂњCвЂ™mon CollapseвЂќ sweeps in, the guitar chord progression sounds like вЂњThe Nurse Who Loved MeвЂќ twice as fast. However, this change is not immediately significant. The music heard here has a cheerier, more uptempo style about it. With Andrews switching from primarily a musician to more of an audio engineer/producer, this is not the same man that fronted Failure. In this musical transformation, the album title Shifting Skin seems perfectly appropriate. Unlike Failure, On puts the guitars in a secondary role while Andrews experiments with synthesizers and electronic drums. Now of course, On would have never existed because Andrews came from the band Failure, which drew inspiration from the grunge movement, but the music found on Shifting Skin seems to have no recollection of such a time period. 'Soluble Words' feels like a remastered 80s pop hit. If we wiped the grunge movement off the face of history, I think todayвЂ™s music would be something like Ken AndrewsвЂ™, under the moniker of On, Shifting Skin. And much like the genres of the 90s, they would all begin to blend. Hair metal, electronic experimentation, synth pop, New Wave - it would have all continued to advance. What if Nirvana never formed? What if the world never fell in love with вЂњSmells Like Teen SpiritвЂќ and that song never completely changed the pop music landscape forever? How would todayвЂ™s music sound? Think back to the 80s and the music scene. Review Summary: Shifting Skin has some of Ken Andrews' best written songs, but the album as a whole is a classic example of 'not enough variety.'

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